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Review: The Blob (1988)

First, may I wish a very happy Thanksgiving to all. This review is coming in on the later side thanks to a (packed) week spent with family, for whom I am infinitely grateful—but wow, I need some sleep.

This is relevant to my review because unfortunately, the only time I was able to find to watch Chuck Russell's 1988 remake of "The Blob" was this morning on my way to the airport, bouncing down the icy New Mexico roads while I squinted at my phone screen. And boy. Never have I wished so hard to have seen a film in theaters.

As it was, I found it a little hard to let myself get properly scared by the Blob, between the popup ads and the pauses to check into my flight and shuffle through airport security. And yet, somehow, I still found the movie thrilling. If I had been in a theater audience, watching the horror unfold on the big screen in '88, I can assure you I would have sh*t myself.

All the rules I've so carefully cultivated for horror films in these reviews have gone out the window. "The Blob" didn't shy away from showing its monster on camera. It didn't play psychological games on my mind. It didn't even really seem too concerned with bigger questions about the unknown. It was just gross, plain and simple.

Alright, I don't mean that. Not really—it would be unfair to "The Blob," because it really is more than that. I mean, yes. The Blob itself is disgusting and terrifying and devours its victims in some truly graphic ways. But the movie also employed some important rules of storytelling: it gave us protagonists to root for and a twist we could gasp at.

I suppose an argument could be made that "The Blob" takes a little while to get into the action, but I wouldn't call the opening of the film "slow"—simply because I thought every moment of character development was worth it. From setting up the hilarious misunderstanding between Paul and Meg's dad to introducing the creepy-a** priest who might just bring about the end of the world, the beginning did an excellent job of getting me invested in characters I wanted to see survive—or in some cases, to die. Let me tell you, I have never been more satisfied by an on-screen death than I was when Scott got devoured hand-first while reaching down his sleeping girlfriend's shirt.

I have to say, I did take the surprise twist about the Blob's origins with a small grain of salt. I won't spoil it here, but I will say that the "sinister government agency" trope is a little too well-established by now—even if I know it wasn't yet in the Eighties. If I put myself in the mindset of a 1988 audience, I can absolutely dig it.

And now, the ending. One of the most satisfying we've seen yet in this class. No cavalry coming in to save the day, no chance or luck or coincidence diverting the threat to more fertile pastures (I'm looking at you, Snow). Just pure grit and determination on the part of our protagonists—heroic enough to sacrifice their own lives, smart enough not to have to. They survive, though many, many others do not. I appreciate that "The Blob" didn't shy away from racking up quite the body count (it is a horror movie, after all—I don't expect everyone to survive), and yet I'm glad that my two favorite characters made it out alive after saving everyone else's skin and demonstrating that they really deserved to beat that thing. Whether you see the monster as an allegory, a symbol, or just a giant gelatinous beast, I always cheer harder when the protagonists learn to defeat it through skill rather than luck, proving that the audience has been backing the right horse the whole time.

Then, just when you thought you could rest easy, our crazy-a** preacher returns, Blob remnants in hand as he prophesies the end times. I knew I couldn't trust that man ever since he picked up those shards outside the walk-in freezer, but boy—I didn't know he was that crazy! May I one day learn to tie up my loose plot-ends as neatly as Russell, and with as much shuddering impact.

Now, to sleep—where the nightmares await. Happy Holidays, y'all. Go see "The Blob."


Citations: The Blob. Directed by Chuck Russell. TriStar Pictures, 1988.

Comments

  1. I thought the way it moved was hilarious and creepy. Could you imagine watching brush move fast and underneath it, a giant pink acid blob? Like, how the hell? I also loved the way it devoured its victims. Scott was wonderful to see get what was coming to him. The reverend was a strange dude. I got major Human Centipede II vibes from him. I wouldn't be surprised if it comes back around as some sort of inception the reverend in this film was the guy in that one, and the huge centipede he creates and rapes was his idea of judgement day. I also thought Herb reminded me a lot of Bettlejuice. I think this remake is where the inspiration was pulled from LOL.

    I will have to disagree with the ending. I hate the idea of judgement day things. If they do not start the work out as a result of judgement day, the idea feels way too cliche for me.

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  2. I love the ending of THE BLOB. It hits the right tone for the film. Its pure popcorn. I've noticed that a lot of people have commented on the blob creature 's "acidity". I think that is just the way it eats by absorbing everything. That was something that the old Hollywood code would never have allowed in 1958 (even if it could have been done well) so it was cool to see that SFX worked into the remake.

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  3. I'm in the middle with the blob being human made. I understand playing with the fear of chemical and biological warfare, but I liked the blob being some sort of alien bacteria that ate all the dinosaurs better.
    I also liked the ending. I wouldn't say it is the best ending, but it definitely hits the happily ever after...sort of. The ending (before the Reverend's final scene) is pretty silly and lighthearted, but it fits the feel of the film. There was rarely any realistic emotional reactions outside of screaming throughout the whole thing, so I think it was easier to accept the happy "we did it!" ending.

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  4. I wasn't scares of the blob at all in this movie. While it did melt peoples faces off and we saw some characters half dissolved, I didn't ever find the blob something I would have nightmares about the image of. It was more gross than it was physically intimidating, even when it was huge and taking over the sewers.

    What do you think the blob could be an allegory for? Something in relation to man made inventions? Maybe something about the corruption and destructive nature of mankind ambition because the blob is a man made invention created for war and the lives of the town people dont matter? There are a lot of allegories that could apply, so I was wondering which you thought of, or if you thought of any at all? Maybe it's just literally a blob.

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